Post-Festival Report 2011, Part 3:
Still Lives
Further dispatches from the New Zealand International Film Festival.
Further dispatches from the New Zealand International Film Festival.
At the New Zealand International Film Festival: Duty, morality, and class intersect.
At the New Zealand International Film Festival: Julia Leigh’s erroneously marketed “erotic thriller”; plus, Ayrton Senna’s fast times.
At the New Zealand International Film Festival: Raúl Ruiz’s sprawling, magisterial epic.
The director of The House of the Devil continues to finesse the horror genre with his latest throwback.
At the New Zealand International Film Festival, reflections on the beginning and end of things.
At the New Zealand International Film Festival: The Windies’ blaze of glory.
The affable documentarian famous for an all-McDonald’s diet turns his attention to the world of product placement in movies.
At the New Zealand International Film Festival: Ceylan’s rich, contemplative crime movie.
At the New Zealand International Film Festival: Miike’s ferocious swashbuckler; Ghibli’s latest animated triumph.
At the New Zealand International Film Festival: Gangsters and floozies in the Congolese Republic.
At the New Zealand International Film Festival, pleasure can be a polarising force.
At the New Zealand International Film Festival: Fragments from the rule of a Romanian Communist leader.
At the New Zealand International Film Festival: Álex de la Iglesia’s circus of horrors.
At the New Zealand International Film Festival: Acknowledging Merata Mita’s contribution to the nation’s film heritage.
At the New Zealand International Film Festival: Arthouse makes way for Grindhouse in this straight-shooting exploitation flick.
The celebrated filmmaker behind such documentary landmarks as The Thin Blue Line and The Fog of War opens up about the non-fiction medium and his latest film.