An essay reprint, ‘Where the grass is green’, by JESSICA REID, appears courtesy of The Physics Room contemporary art space, Christchurch, New Zealand.

SARAH JANE PARTON’s ‘Guidance’ marries allusions to contemporary pop culture and failed utopian ideals, excessive cultural displays, political propaganda and the intentional blurring of ideological boundaries. These contextual layers acknowledge the wary and cynical minds of the post-baby boomer generation, whilst expressing a nostalgic longing for the promises and possibilities ideological constructs of the 20th century proffered.

MARK AMERY surveys two current exhibits at Pataka in Porirua: New Painting: Digital Age and Arts Society: Judy Darragh.

An array of Wellington-centric music videos and album cover designs fill out the Michael Hirschfeld Gallery this May to coincide with New Zealand Music Month. MARK AMERY tunes into Radio With Pictures.

Embedded in the painting of Simon Edwards and Dean Venrooy is a distinct evocation of Canterbury, writes MARK AMERY.

There’s more to Craig Potton Publishing than Nicky Hager’s must-read The Hollow Men, you know. Southern Man David Eggleton speedily answers ALEXANDER BISLEY’s questions about his handsome, recommended tome Into the Light: A History of New Zealand Photography.