Don't know if it should be considered either obligatory or stupid to tolerate the interruptus of ad breaks every 8 minutes, but there's something about one-off screenings on television of long-lost movies – or just anything of demanding, pertinent interest – that possess(es) an urgency different from if you noticed the same title(s) at your local video store. So the fact that it's scheduled, like a festival screening, is one obvious explanation, but I'm also a sucker for free shit, and will endure the clockwork stoppages if it means saving the price of a rental, the fare of a return bus trip, and the getting-off-my-ass. It's true; I'm lazy and weak.

To reiterate my point, Florian Habicht's celebrated Kaihoke Demolition screens this Wednesday (10.30pm, TV2). The DVD is actually great, however for all television's maligned properties, as a medium for exposure it's basically unrivaled. Fast-forward to early Sunday morning (1.30am, TV2), and you have Martin Scorsese's Raging Bull on tap; realistically, past the point of awake-ness, but I haven't seen this in years. Later that night, somewhat surprisingly, is the subtitled domestic-romp Remember Me (9pm, Maori TV); it comes direct from the Italian Film Festival the previous year, and whilst vague in my mind, it's cinema-topography of the Italian female form plus a certain Monica Belluci is, for some reason, not difficult to recall.

Meanwhile, I wait patiently for Prime to repeat An Unmarried Woman (at an ungodly hour, if need be), which I know they have on their books, and will have to screen eventually. Dated feminist, semi-seminal late-70s film starring a largely forgotten Jill Claburgh it may be (and also glaring omission from that Chick Flicks book, if I read the index correctly), but it's so elusively obscure – not even available on DVD anywhere – that at times like these, you actually believe television can redeem itself if it's able to temporarily revive a small-but-significant movie on the verge of oblivion now and again.—TW